Interview with Sudha Nair

There is no feeling to describe winning the Amazon Pen to Publish contest for my debut, THE WEDDING TAMASHA. It was surreal, to say the least. I couldn’t believe it at all. I was very lucky that my debut became such a hit.

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Sudha Nair is the winner of the Amazon Pen to Publish 2017 contest for her debut novel, THE WEDDING TAMASHA, a sweet tale about love, family and traditions. A techie who wrote code in her former life, she now spends her time writing stories and creating worlds where she lets her imagination run riot and has fun along with her characters. She’s a daydreamer who enjoys reading, singing, and soaking in the view of the ocean whenever possible. She is the author of two novels and several short stories, and is currently working on her next novel. She lives with her family in Bangalore, India. Visit www.sudhanair.com to find out more.
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Tee: How did you come up with the idea of a trilogy based on the lives of three sisters?
 
Sudha: I did not have a trilogy or a series in mind but I just wanted to tell the youngest daughter’s story through the THE WEDDING TAMASHA. After that, I made a natural progression to tell the older daughter’s story, which is titled, PRIYAMVADA & CO. That was how the idea of a series was born. I called it THE MENON WOMEN series. This series is about the Menon family which is headed by patriarch, Prabhakaran Menon. He has two daughters and a son.
After writing about the two daughters, I was undecided between writing about his daughter-in-law, Lekha, and his eldest granddaughter, Ria. Finally I chose to tell Ria’s story, because she was more prominent in the first two books. So the third book, coming up soon, is about Ria.
 
After thinking that this would stop at three stories, I now really want it to go on. Why not have stories about the rest of the Menon women of the family? 🙂 I want to grow the series, and show how the family is shaped through the events over the years. It looks like a pretty exciting challenge, and I’m looking forward to some cool stories for these women.
Tee: Your debut novel was a best seller. How did that feel?

Sudha: There is no feeling to describe winning the Amazon Pen to Publish contest for my debut, THE WEDDING TAMASHA. It was surreal, to say the least. I couldn’t believe it at all. I was very lucky that my debut became such a hit. Shweta’s story seemed to have struck a chord with the sentiments of many. The description of a strict patriarch bearing over his large family, was loved very much, and I’m so glad I wrote this story, even though I was terrified that it wasn’t going to turn out okay. I’m so happy to see the success of the book, and the reviews that continue to come in from all over the world. I’m thankful, and feel blessed.

Tee: How will you describe your writing style?
 
Sudha: My writing style is to plot everything down first, then start writing. I like to have targets for myself. I’m also trying to let go of my perfectionism, and just enjoy what I do, instead of fretting over every single word so much, like I used to. Though, I still have to remind myself every now and then that I should let go, and allow the words to flow freely, at least during the first draft. I try to write every day. I enjoy routines, I enjoy goals, and I enjoy being my own boss. So writing just falls into the perfect circle of things that I call my life and the way I want to live it. I have a descriptive and engaging style, as appreciated by my readers too, and I like to make every story naughty, playful, interesting, and as enjoyable as I can make it.
Tee: What are your suggestions for aspiring writers?
 
Sudha: Gosh, this is a tough one! 🙂 We all stumble, no matter which path we choose, and each path, each fall, each lesson, each comeback, is so different, that it is hard to put all aspiring writers into one box and give them a list of suggestions. But at the top of the line, if there is any such thing, is to write. WRITE. It’s easier to talk about writing, to dream about writing, to plan for writing, and all of that, but unless you actually have your butt in your chair and you’re writing, however crappy it may look like, you’re not a writer, let alone an aspiring one, if you don’t have any words to show for it.
That, and perseverance, is all. You got to do what you got to do. And if you love it as much, and you want it as much, you will do it. There’s no one else who can do it for you.
Tee: Who are the authors or which are the books that have influenced your work?
 

Sudha: The time I looked for influencers in my writing life was around the time I wanted to become a short story writer. I read the New Yorker regularly, as also, the Commonwealth prize winner stories, and tons of popular online literary magazines. I leaned quite by accident, or may be by providence,

towards this author, who was especially well-known as a short story writer. Her name was Jhumpa Lahiri. I was so excited at having discovered her, that I read all her books, collected all her works, and read everything that she had written, or had been written about her online, and elsewhere. As I soon found out, anything about her was hard to find as she spoke very little about herself. So I then turned to the writers who had influenced Lahiri, thereby, reading Alice Munro, William Trevor, etc., and was constantly hungry to discover more writers and more stories. All these influences were starkly different and varied, I don’t think anyone stuck with me as much as Lahiri.
 
My other love, that of women’s fiction and women’s adventure stories, was fueled by authors like Jojo Moyes, Emma Donoghue, Julie James, Arundhati Roy, Nisha Minhas, Amitav Ghosh, to name a few. In that sense, I have quite an eclectic taste, and I’m always searching for writers where I get lost in the story rather than the style or craft, which, by the way, is the most frustrating thing that gets in the way of an enjoyable reading experience for me now, ever since I turned into a writer and a student of writing.
Tee: When did you begin writing professionally and what are the challenges that you’ve had to overcome as a new writer?
 

Sudha: I started writing out of a need to find creative fulfillment. My journey began about six years ago when I wrote my first short story for an online literary magazine. You must have heard me say this before, but the first rejection, propelled me to try more. Challenges were many. The foremost was understanding the craft, which I realised, as soon as my piece was rejected, that I knew nothing about. Rejections taught me to learn from the writers I considered as my idols, and literally practice and keep writing, and submitting. The only hope that kept me going was the happiness that writing down every story gave me, and the memories it brought to life. Any everyday incident became a trigger for a story and it was a lot of fun as I tried to wrestle with it, and mould it into something by putting my imagination on overdrive. The difficult part was to accept that what I thought was a wonderful story did not necessarily feel the same to the editors that I submitted to. It took a long time to slowly build up my confidence, wade through the rejection, and try not to take it personally. Somewhere within, I believed in myself, and that alone kept me going. Finding and being part of a writing community was tough. To be accepted by other successful writers as one among them, was an uphill task. But, as I’ve learned over the years, I just had to put my head down, do the work, and let the rest fall into place. And that philosophy has helped tremendously. I’m grateful for my optimism, positive attitude, and perseverance. All of these were challenges as I was growing up to be a writer.

Tee: What can readers look forward to in your upcoming book?
 

Sudha: The next book in THE MENON WOMEN series is Ria’s story. She’s a college-goer with a sweet first crush. I have tried to keep this story light, while also touching upon themes that are relevant today.It is set to be an entertainer where I plan to bring back some family members that I had to keep out of the second book. My wish is to write about all the Menon women in the family which fall under a variety of interesting age groups. I hope it will make my readers really happy. Also, I hope to keep the cast manageably small and cute. I’d like to know what you think about it when it’s out there.

Tee: What are your plans as a writer after the completion of this trilogy?
Sudha: My plan is to go on and on 🙂 and not stop at these three books. I’d like to include more of the Menon women–daughters, grand-daughters, and family of the patriarch, Prabhakaran Menon. I hope to never have to stop for any reason, except for not finding anything interesting to say about these smart, sassy, bold women. 🙂 Apart from this series, I plan to continue writing other stories, even short stories, which will have my unique spin on life and its vagaries. And I’m not likely to ever give up on my plan to continue to be a student and improve my craft, and make each book a better reading experience for my readers.
Tee: How can readers reach you?
Sudha: Readers can reach me through the contact page on my website, sudhanair.com. If you want to hang out with me, or have questions about my books, or just want to have fun, you’ll find me at my facebook page – SudhaNairAuthor. I really love interacting with readers, and would love to hear from you.

 

Read the review here

 

Finding Jesus in Israel by Buck Storm

The dialogues form an important part of the narrative and are short but well framed. It shows an ease with which he brings out the several themes and facts without getting sidelined from the original idea of presenting the magnificent sights that the Holy Land has to offer.

Title: Finding Jesus in Israel

Author: Buck Storm

Publisher: Worthy Publishing

Date of Publication: 1 May 2018

Rating: 3.5/5

israel

Told in a suave and easy to read style, Finding Jesus in Israel is an unconventional travel book by Storm. Though not a travel guide proper, this book takes interesting to a whole new level.  Taking the genre of travel guides by storm, Buck Storm relates his multifarious adventures in Israel as he travels along the length and breadth of the country where Jesus once strode.

As a first hand account, the book mentions Storm’s experiences in a novel like manner with the introduction of several characters that he meets along the way that go on too make the story more engaging. Israel is a rising global tourist destination that has been hosting millions of international visitors each year. It is also a country that has a strong historical and political background. Perhaps, it is its history and political affiliations or present day position that makes Israel a land of much interest to people from various professional backgrounds. However, Storm does not deal directly with any of the difficult themes but rather mentions them through the talks that he has had with the locals there. After all, the best way to know a country and its culture is through its people.

The dialogues form an important part of the narrative and are short but well framed. It shows an ease with which he brings out the several themes and facts without getting sidelined from the original idea of presenting the magnificent sights that the Holy Land has to offer. Sadly, the book is too lengthy and cannot be read on the go. It requires quite some attention and for those who do not enjoy reading detailed travelogues with be put off immediately. Not exactly a travel writing as he doesn’t mention anything about the facts like costs and hotels. Dialogues and interaction between people is interesting. Unbiased take on events. Storm mentions all the things American-Israeli ties, Middle Eastern politics and historical significance of Israel. Though its almost like an ode to Israel, yet he doesn’t over venerate Israel as a land of riches. He mentions its importance and significance which is unparalleled to that of any other country in the world. What is important to understand is that the book is descriptive of his travel that was more of a pilgrimage.

Christianity lies at the background of the book and Storm’s intention is to understand its significance and the role that Jesus played while his days in the Holy Land. Some interesting chapters include Confession is Good for the Soul, Horse Trading, Paper Prayers, Same Old Sun and The Beginning is Near. Another chapter Bombs deserves special mention that deals with the growing turmoil in the region. Finding Jesus in Israel is very different from the usual factual travel books and it doesn’t provide a lot of information about the hotels available, the prices or any difficulties during the stay as a foreigner. But it is a valuable read for those who may be planning a trip or pilgrimage to Israel and it will leave readers feeling that the road less traveled is worth the effort that it takes to journey across the mixed terrain.

Interview with Francisco A Ojeda

Francisco A. Ojeda arrived in Miami, Florida, from Havana, Cuba, in 1968, and lived in South Florida until graduating from Miami Senior High School in 1985. He is a 27 year veteran with combined services of the United States Army and the Florida Army National Guard, retiring in 2011. He served as a Battalion Operations Sergeant during Operation Iraqi Freedom from 2006 to 2007 and as a civilian contractor during Operation Enduring Freedom, while stationed in Afghanistan, from 2012 to 2013. He taught Military Sciences at Broward College in Davie Florida. He has a Political Science degree from Miami Dade College, a Business Management degree and Certificate of Project Management from the University of Phoenix. He still lives in South Florida. “The Spirits of Al Faw”  is his first published novel. He has also published two collections of poetry, ‘Adore & Lament’ and ‘The Frightful Verses’.

 

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Tee: How will you define your professional career as a soldier?
Ojeda: Overall, it was very satisfying. Besides the benefits of earning college funding and personal savings, travel throughout the world, receive specific education and training, and many other quantifiable rewards, there was also the cooperation and camaraderie of working with others, developing professional and personal relationships, and involvement in cultural experiences I would not have otherwise go through at home. It started out simply as the means to go to school. It later became apparent that the military was a route towards greater opportunities. In the beginning, basic training taught me more than just how to be a soldier but that I was really capable of doing what I wanted if I applied myself. I became much more grateful for the opportunity to serve my country. Even though there were many setbacks and challenges, I was able to work through them with determination, and at times with the assistance of others. I was able to travel to Europe, Asia, Central America, and throughout the United States, meeting many different people of various ethnic backgrounds and cultures. I learned many technical, tactical and strategic skills, the ability to work with others and to be led by experienced and proficient experts, and how to lead others to complete tasks and mission but also support soldiers in their careers. My career was very fulfilling in ways that go further than can be described.

Tee: Being a writer is a completely different field. When did you decide you wanted to write professionally?

Ojeda: I had been writing as a means to express myself since early in high school. I used writing as a simple way of recording events, people I met and things I experienced. It was a way to be imaginative in a tactile way. It also allowed me to revisit my experiences in detail. I felt that I was collecting a historical composite of my life. It eventually grew into expanding my thoughts into a much more entertaining aspect. Unfortunately, I was uncomfortable sharing my thoughts and writings with others. I did not have the confidence early on to allow others to see my efforts. As I gained confidence as an adult, particularly through the military, I was able to write comfortably professional. Over time, I was able to develop my abilities to write but in a more technical fashion. It was when I arrived in Iraq for my tour of duty, that I began to record my experiences again as I did when I was younger. After a few months and reviewing what I had written, the plot seemed to develop on its own. Being in a combat zone, like in Iraq, one experience the unique, the strange, and the absurd that I could only really be expressed in a fictional story like my novel.

 

Tee: What difficulties did you encounter in your writing process?

Ojeda: When it came to writing my novel, I had no real experience in writing fiction much less a thriller. I had already written short stories as classwork but those were simply to meet a curriculum requirement. Most of my experience in writing was in essays in accordance with established and acceptable writing styles. After reviewing my notes, I quickly realized that I needed a system to further build upon my ideas for a book. It was then that while I continued compiling notes that I studied plot development, styles of dialogue, and other required aspects of writing. Luckily, I had always enjoyed reading. Since my favorite genres of literature were mysteries, horror, and thrillers, ideas came to me regularly. Furthermore, due to some personal experiences I had with mental illness, emotional and physical disabilities, and the stressors that came with not only dealing with combat but conducting one’s duties and responsibilities at the highest level of professionalism and expertise, it suspected that a thriller with psychological and paranormal perspectives was in order. I further researched for literature that combined the elements that I wanted to include in my story. I discovered some but not much of military fiction that included the other elements I mentioned. Subsequently, with further research and much trial and error, it took nine years to complete my story.

Tee: How do you think your book will be able to influence readers into understanding the lives of those in the military?

Ojeda: In the development of the story, I set certain rules to allow me to continue writing but also to be effective in building the story. One particular rule was to write for both military personnel and civilians. I wanted the story to share aspects of what veterans can relate to while not alienating civilians who do may not have a background or understanding of military experiences and jargon. In addition, I did not want to take away from the rich and at times the ironic and seemingly illogical reasoning of both combat and the military as a whole. Thus, I needed to find the proper balance of representing the military, yet write the psychological and paranormal aspects in terms non-military can appreciate. There was also the consideration of not “dumbing down” the story to both military and civilians. This was a particular problem concerning I was attempting to find that balance I mentioned early. It was also a consideration of describing a combat zone solely from my perspective to others who experienced it in a much different way. Ultimately, the strategy of the story was for it to be written with a “storytelling” delivery that would be understood when the reader reaches the end of the novel.

 

Tee: How did you come up with the idea of a supernatural element in the plot?

Ojeda: While I was stationed in Iraq from 2006 to 2007, which was during the height of military operations, the environment was very stressed, volatile, and surely weird. Military combat is unpredictable no matter how much planning, training, and rehearsals are involved. I can admit that my lack of understanding allowed for imaginative perspectives and possible explanations.  An example is while reviewing my notes, there were times which no logical explanation for why something had happened. Many experiences were random, sudden, eerie and unexpected. Even established rules for safety and security created an atmosphere of uncertainty. Light and noise discipline, which are best described as the mandated requirements to reduce the opportunity of the enemy identifying friendly targets created an environment of mystery, confusion, and ambiguity. Even the daily work discussions and personal conversations gave credence to opportunities for examining supernatural elements, like superstitions and religious beliefs.  There were also personal feelings, such as loneliness, fear, and paranoia led to the opportunity to use paranormal and supernatural themes to give some explanations for the unknown. The story explores examples of what is hidden in darkness or under the surface, and the circumstances of when one does not have all the information for what may be happening.

 

Tee: Were you whimsical about anything in your debut work?

Ojeda: I attempted to address some of the strange aspects of military life in a combat zone with some humor. Some were purposeful at times, lighting up the atmosphere and other times to promote a sense of absurdity. The characters would observe events that did not contain fearsome elements but still had illogical considerations that one may only laugh at. In other cases, I examined the occasional clumsiness in carrying a weapon, wear of the uniform, and even traversing the landscape. There were situations depicted which one reacts in an exaggerated fashion and not relative to the situation. Those were to point out how the uncertainty of what is actually happening and required protocol can come in conflict. As a new author, I was cautious not to promote any overt sense of humor when it came to the possibility of psychological trauma. I tried to keep any wit away from describing or otherwise connecting to the possibility of mental issues. Otherwise, I tried to maintain the tone of mystery that went along with the possibility of the paranormal.

Tee: What are the other writing projects that are lined up for you in the future?

Ojeda: Six months prior to publishing the novel, I published my first work of literature. It was a collection of love and sadness poems titled “Adore & Lament”. While publishing the novel, I also completed various frightful poems and published them into a titled collection called “The Frightful Verses”. These two poetry books have motivated me to explore additional areas of literature such as non-technical essays, plays, letters, and even more poetry. During Hurricane Irma, my son Daniel and I wrote a screenplay for an action-comedy. The work has been registered through the West Coast Writers Guild. In July 2018, a collection of sensual and sultry poems will be published under the title “Our Sensual World”. The novel and poetry collections were all self-published through XLibris. In addition, I have begun several stories in themes of science fiction and the paranormal. One in particular addresses the current political environment and how it would react to an all-powerful mysterious entity. Another project discusses how the modern military and geo-economic consideration may come in conflict with religion, mysticism and the supernatural. I am very motivated to write a story without paranormal or supernatural elements that may include a love story. I would also like to create a collection of humorous poetry, which has been a challenge for me.

 

Tee: How can readers reach you?

Ojeda: Messages may be sent to me at francisco.a.ojeda@gmail.com or to post on www.franciscoaojedabooks.com. In addition, I may also be contact through XLibris.

 

Read the review of The Spirits of Al Faw Here

The Spirits of Al Faw by Francisco A Ojeda

Reflective of Ojeda’s personal experiences, the book brings out the deeper conscience and understanding of someone who’s seen things closely.

Title: The Spirits of Al Faw

Author: Francisco A Ojeda

Publisher: Xlibris

Date of Publication: 15 June 2017

Rating: 5/5

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Simple yet sophisticated is the writing style of Ojeda’s The Spirits of Al Faw. Opening at the Baghdad International Airport, the novel recounts innumerable experiences in the working career of Master Sergeant Deveroe,  the operations sergeant for a military intelligence battalion deployed in Iraq in 2006.

Looking at the Iraqi sky, he recalls his time in war torn Kuwait and the smell of burned ash, charcoal and diesel that spread through the air adding to the excessively hot climate. From the very first word of the first page, the eye for detail in The Spirits of Al Faw is incredible. Every tiny bit mentioned adds to building the scenes as well as the plot. The plot moves at a smooth and moderate pace. Reflective of Ojeda’s personal experiences, the book brings out the deeper conscience and understanding of someone who’s seen things closely.

Though written in the form of a fiction, it is the mark of personal experiences that adds to creating a real and believable atmosphere in which nothing seems out of place or proportion. Ojeda’s writing style also includes a knack for including only that which is necessary making the plot free of over cramming. It is a brilliant insight into the difficult lives of military personnel who trade personal comfort and safety for causes in favor of national security. Instances of camaraderie, personal individual issues and team work are emotionally moving but not overly sentimental. Ojeda maintains a resistance to over dramatizing things which helps to keep up the balance between the plot line and the multiple climaxes. As a result, the novel feels very much like a spine chilling thriller. Though not hurt in the ambush that Deveroe suffered, it is his desire to return to combat with his unit. It is this decision that proves to be life changing and life threatening for Deveroe. What follows are thrills unmanageable and conspiracies of superlative standards in this happening novel that takes its readers to the heart of some of the worst political crises involving the mystic, mysterious and magestic lands of the Middle East.

The information regarding fighter planes, tanks, trucks and other equipment is very interesting. Opposed to this is an officer’s devotion and dedication at stake in this thrilling and equally chilling novel of new perspectives that is bound to pin the reader down from the start. The multiple climaxes keep readers engaged but each flows into the other with ease so it is not too hard to digest or too sudden to comprehend. Climax after climax, the story only seems to get denser and more adventurous.

However, set at 426 pages, the book is quite lengthy and time consuming to read. The various plot twists make for a challenging read. The book does not have any chapter divisions and is written in a single go. Those who do not enjoy political thrillers or war fiction will have a hard time getting through the bulk of practical and scientific information. That is not to deny that it is an exciting comprehension of a world about which little is known. Ojeda’s writing style is his strong point and through it he is able to create miracles on paper that assuredly should not bore the regular reader. Also, the addition of a supernatural angle to the plot in the form of mental disturbances or hallucinations to the protagonist is a unique twist including other episodes of insurgency and wild animal attacks. Sadly, the book cover needs more work and is too plain in comparison to the contents of the story.

84K by Claire North

Money speaks in this depressing, sci-fi world with nothing in the name of human rights or mass petitioning.

Title: 84K

Author: Claire North

Publisher: Orbit

Date of Publication: 24 May 2018

Rating: 3.5/5

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“This is the daily diet on which Theo Miller is fed:

murder

theft

fraud

burglary

rape”

Bound in never ending plot twists is the story of life being defined by a single number. 84K is a dystopian thriller which revolves around the central character Theo. He is set against the world that surrounds him with its darkness encroaching on him like worms eating up a dead body. Bewildered and terribly shocked by the sudden death of his ex-lover Dani, Theo has his world turned upside down as he begins to question and ponder on the legitimacy of social systems.

This make believe world of his has severe punishment for every crime that is committed. The book goes on to enlist all the crimes and the punishments for each follow. Though a lot of readers will come with the excitement of reading a modern day dystopian novel, however, the writing style of the book can kill a lot of thrills. Constant shuffling between events and juggling of facts leads to an overload of information that is random, fragmented and scattered. It is not until a few chapters that the story catches some pace but that doesn’t do away with the fact that the way it is written is confusing making the book a difficult read. But if one can get past that, then the book has several highs and lows and enough matter to keep readers entertained.

Having to go through the first few pages over and over again to get a hang of what exactly is going on is rather frustrating. Passages are followed by single words mentioned one after another. This is followed by dialogues or other verbal exchanges in this confusing write up. Of the several themes are the important underlying ideas on capitalism that continuously forges its double standards. Class politics abounds in cases where the middle or lower classes are severely punished while the rich get away even after having committed some of the most heinous crimes by just throwing in huge sums of money.

Money speaks in this depressing, sci-fi world with nothing in the name of human rights or mass petitioning. The eye for detail is great as it allows for the creation of an other worldly world that is both interesting and astounding. But for readers familiar with more hard core dystopia this piece may not seem so original. For readers wanting to begin reading sci fi dystopic novels this is a good starter. The writing style is a barrier and multiple attempts may be required to try to grasp the happenings of the novel.

Godfall and Other Stories by Sandra M Odell

The stories are murky, grim and slightly futuristic but based on places and locations of the present world. The stories move from one place of the globe to another and portray other wordly events that are apocalyptic and cataclysmic in nature.

Title: Godfall and Other Stories

Author: Sandra M Odell

Publisher: Hydra House

Date of Publication: 18 April 2018

Rating: 4/5

godfall

A collection of twenty two odd tales, Godfall and Other Stories by Sandra M Odell is an interesting read for lovers of short fiction. Varied with a tendency to be obscure and far fetched, this collection is brilliantly written to cater to the tastes of readers who are always on the go and do not have time to sit and read lengthy novels.

Just like the title of the collection, individual stories revolve around human and non human creatures who can leave the reader equally shocked and surprised with their funny ways. By funny of course, there is no reference to humour of any kind. The stories are murky, grim and slightly futuristic but based on places and locations of the present world. The stories move from one place of the globe to another and portray other wordly events that are apocalyptic and cataclysmic in nature. It can be well understood that if what is understood to be the Omniscient and Omnipotent Divinity that has its reach to the farthest corner of the earth ends of falling off from the sky then what will become of the events of this world? It is this chaos that is imagined up by Odell in imbibing a fiction that is one of its kind and very refreshing. Some interesting titles include Ink, Curtain Call and Lost in Translation. 

Each story is followed by a brief explanation in short passages regarding its conception, the real life events that triggered them and the methods used by Odell to configure these into the stories that leave traces of bewilderment in the minds of the readers. Though largely the stories are indescribable that a sort of frantic mode of narration creates, they are filled with pathos and grab the reader’s attention immediately. There is also a mix of ancient mythology and mysticism in creating and naming the characters and their attributes. It all adds to an enchanting vibe to the collection that is rare considering the absence of multiple authors. Yet, every story is unique, highly speculative wonderfully thrilling in a close knit manner without any loopholes. What adds to the interest is the wonderful book cover that depicts a horned goat like figure leaning onto a soldier character who are rowing a boat over bones, skull, human remains and a fallen cross which shows the condition of religion in this make believe world.

Scary, quirky and mysterious.